SONG AT MIDNIGHT

Cinemavixion Review

Heralded as China's inaugural foray into the horror genre, Ma-Xu Weibang's 'Song at Midnight' (1937) is a compelling cinematic artifact. This adaptation of Gaston Leroux's 'The Phantom of the Opera' transcends mere imitation by weaving in a potent political subplot, reflecting the era's leftist revolutionary currents. The film's power lies in its atmospheric dread and the tragic portrayal of the disfigured anti-hero, Song Danping, brought to life by a nuanced performance from Jin Shan. While the narrative draws from familiar operatic tragedy, its unique cultural context and thematic depth distinguish it. The visual storytelling, despite its age, remains remarkably effective, creating a haunting experience that resonates with its status as a pioneering work in Chinese cinema. Its rediscovery and exhibition at international festivals underscore its enduring significance.