QUARTIERI ALTI

Cinemavixion Review

“Quartieri alti” (1945), directed by the prolific Mario Soldati, emerges from the annals of Italian cinema as a surprisingly accomplished piece, despite its origins from a Jean Anouilh play. The film, available in Italian with clear subtitles, navigates the complexities of deception and aspiration through its tale of a conman gigolo, played with youthful vigor by Massimo Serato, who attempts to woo a wealthy heiress, portrayed by Adriana Benetti. Soldati skillfully crafts a narrative of mounting tension as Serato’s elaborate charade teeters on the brink of collapse, a testament to his directorial finesse even when adapting stage material. While the dialogue and relationships occasionally betray their theatrical roots, Soldati injects cinematic vitality through inventive flourishes—a spinning car wheel to signify travel, clandestine phone calls, and voyeuristic perspectives from hidden observers. The performances, particularly that of Jucci Kellerman, add depth to the ensemble. Though the plot’s conclusion may feel somewhat anticlimactic after such intricate build-up, “Quartieri alti” remains a compelling watch, showcasing a modern sensibility in its pacing and setting that belies its 1945 release. This film offers a fascinating glimpse into Italian cinema's resilience and creativity during a tumultuous period.